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Jazz Composition: Theory and Practice

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(Berklee Press). When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. Berklee College of Music legend Ted Pease demystifies the processes involved in writing jazz tunes and in composing episodic and extended jazz works. Jazz Composition: Theory and Practice is a by-product of Pease's 25 years of teaching jazz composition. The accompanying audio files help demonstrate melody, harmony and rhythmic elements of jazz and also includes a variety of music-writing exercises focused on learning these same elements to help you begin producing your own effective jazz compositions.
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Product details
Paperback: 256 pages
Publisher: Berklee Press; Pap/Com edition (August 1, 2003)
Language: English
ISBN-10: 0876390017
ISBN-13: 978-0876390016
Product Dimensions:
9 x 0.6 x 12 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
31 customer reviews
Amazon Best Sellers Rank:
#207,875 in Books (See Top 100 in Books)
This is probably the best book I ever bought on Amzon. I wish it had been published while I was at Berklee, studying Jazz Comp. This is not for beginners, but an advanced refresh course for composers. There won't be much harmony and theory explained. Instead you will learn a new tool and skill set on every page making your composing process a total delight.I took Jazz History lessons from Ted and he is a peach of a man.Why are you still reading this?.....GET THIS BOOK NOW !!!
While published in 2003, it is still a solid curriculum book for understanding jazz composition theory. Well organized by chapters (Melodic, Harmonic, Blue, Song Form, Arranging, etc.). Lots of practical exercises to do as you read through each chapter to reinforce what you have learned. Another solid Berklee Press book!
While the information is valuable, some of the pages are upside down, and some are in the wrong order. It was so frustrating, I had to put it down. I will now take it to a book binder and have them fix it.
I always found it hard putting the music from my soul on paper. I have been checking all about music composition on the internet but what I found were just the obvious guidelines and warnings about what not to do. Recently I have discovered the jazz composition book by Ted Pearse, I ordered it through Amazon. What a suprise, the book was just what I have been looking for, being a self taught musician and a saxophonist, I read through the book but one thing for sure I could not put it down because of the wonderful information contained therein, instantly I felt like Ted was just answering all my questions about creative composition using all and beyond what i new about jazz performance and improvisation. Immediately, I felt the urge to start composing there and then because each lesson has a music manuscript for the learner to write on some composition ideas inspired by the lessons. Now I am confident that the bright journey to music composition starts with this book, it gives you everything you need about understanding and starting to be a composer. I have started falling in love with this book and I don't regret having not gone to Berklee to learn jazz composition and improvisation, this book is a treasure Ireland and I'm glad I grabbed myself a copy for an amazing price that is affordable...this is my ticket to a composers world...Hmm!
Bought for my Grandson's BD and he said he really likes.
This book is promising and it delivers!
Great for guitar players looking to improve their sight reading skills. A very challenging book!
I highly recommend this book for jazz analysis and composition, with the condition of understanding your chord/scale theory. It has sectional explanations which comes with exercises.The book is divided into major chapters like Melodic Considerations, Harmonic Considerations, Blues and Song Form, Arranging and Formatting Considerations, Metric Considerations, Fusion, Episodic Form, Extended Works...My favorite major chapter is MELODIC CONSIDERATIONS ( Melodic Rhythm, Interval Patterns, Melodic Variation via Modal Interchange, Melodies Based on Intervallic Patterns, etc etc etc)This book has detailed a lot of new concepts to me. However, I do not recommend this book for total beginners in Jazz.
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