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- Sales Rank: #578237 in Books
- Published on: 1994-04
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 6.00" w x 1.25" l,
- Binding: Hardcover
- 264 pages
From Publishers Weekly
As much a tribute to Rebennack's native New Orleans and its vibrant music scene as it is an autobiography, this candid book provides an inside look at the drug-using, hell-raising lifestyle adopted by many rock musicians. Writing in a loose, slangy style with freelancer Rummel, Rebennack, whose albums as Dr. John ( Gris Gris ; Gumbo ) helped popularize the distinctively Cajun-influenced music that is now a hallmark of the New Orleans sound, presents a compelling picture of his hometown as a place of enormous musical energy and excitement. We read of all-night jam sessions, quirky local characters and Voodoo rituals (the sobriquet Dr. John is borrowed from an early Voodoo master). Influenced by such New Orleans greats as James Booker and Professor Longhair, Rebennack hit the road with his first band when he was 16 and, because of narcotics, soon found himself in trouble with the law. He is oddly blase about drugs and tries so hard to maintain his cool-cat rock 'n' roll persona that he comes across more as a caricature than as a real person. The portrait of Crescent City's music scene, by contrast, has depth. Photos not seen by PW. Author tour.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Rebennack, a.k.a. Dr. John the Night Tripper, was born in New Orleans in 1940. In his early teens he played hooky from Catholic school in order to pitch songs to Little Richard and Art Neville. By the age of 16, he had recorded an album of original songs and developed a heroin habit. Over the next six years, he honed his craft playing for strippers, pimps, junkies, and even a pickpocketing monkey. When the infamous Jim Garrison cleaned up the city in 1962, Mac took a two-year sabbatical at a federal prison in Fort Worth. Upon his release, he headed for California, where his prodigious session work led to his solo career as Dr. John, one of the Sixties' most outrageous and creative performers. Today, four Grammy Awards later and his drug problems behind him, he's still rocking. This no-holds-barred autobiography by the hippest, "fonkiest" cat to come down the musical turnpike is essential for music libraries.
- Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Musician Mac Rebennack, aka Dr. John, is the embodiment of New Orleans culture, and his colorful autobiography serves as a virtual history of the city's music from the 1950s on. As a teenager, Rebennack had already launched a successful career as a guitarist when his finger was nearly shot off, forcing him to switch to piano. Eventually, he landed in L.A., where he survived on session work until in 1967 his career as a headliner took off when he created the stage persona Dr. John the Night Tripper, a sort of psychedelic voodoo king. This book ends with Rebennack's return to New Orleans to record his most recent album, a tribute to the city's musical history. Some of its most engaging passages are recollections of musicians Rebennack learned from and played with; most notable among them is the affectionate tribute to his musical godfather, Professor Longhair. Like many such memoirs, the story loses a bit of its drive once its subject begins to achieve commercial success, but Rebennack's distinctive "N'Owleans" patois, which he and Rummel capture to perfection, helps sustain interest throughout. Gordon Flagg
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